Mirak-Weissbach Foundation
Mirak-Weißbach Stiftung
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Helping Young Scholars

In 2017 the Mirak-Weissbach Foundation launched a scholarship program to help young Armenians continue their studies and research.

Lusine Arakelyan

We met Lusine Arakelyan at a festive occasion oon September 20, 2013, when the new Music School N. 6 in Gyumri was officially opened. Introduced as a singer who had graduated from the school, she impressed us with her modesty. At the end of the celebration, attended by the Armenian President, numerous guests of honor, city and church representatives, an outdoor concert took place, with performances by the school’s chorus and orchestra, several ensembles, and Lusine Arakelyan. Her powerful, yet gentle soprano voice and her fresh delivery also left a strong impression. Along with arias from the world opera repertoire, she also sang classical Armenian folk songs. From this first, rather fleeting encounter, a close friendship was to develop in the course of time, continuing to the present day.

At that point Lusine Arakelyan, who was born in Gyumri in 1984, had already successfully completed her training as a singer and pianist, had taken part in competitions and won several prizes for her singing. After having completed her graduate studies under Karine Mkrtchyan at the State Conservatory in Yerevan, she won her Masters degree in 2008. She had held solo performances since 2004, together with, among others, the Armenian State Philharmonic, the Kohar Symphony Orchestra and Chorus, the Tatsharan Ensemble and the Opera Studio at the State Conservatory in Yerevan. She had been engaged as soloist at the Ghazaros Saryan Opera Studio of the Conservatory since 2008, and seemed destined for a career in opera in Armenia or the region. At our first meeting, she told us that she was hoping to be able to continue her training in Germany. We were eager to help her in this direction. The first opportunity presented itself a year later. She contacted us in Spring 2014 with the news that she had received invitations to sing in Germany and Austria, and we arranged to cover her travel costs.

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Lusine Arakelyan in concert on June 1, 2014 at the Church of the Redeemer in Berlin

During her Germany tour, we heard her perform in a concert on June 1, 2014 in the Church of the Redeemer in Berlin, organized on the occasion of the Armenian National Holiday (May 28). Before an audience of mainly Armenians, and friends, she presented a program entitled, “A Musical Journey through Time,” with arias and songs by Weber, Strauß, Verdi, Kalman as well as Rachmaninoff, Tchaikovsky and the Armenian classical composers Komitas and Atchemyan. A few days later, she took part in the singing competition of the 3rd Komitas Festival, at Schloß Prötzel, near Berlin, and won 2nd prize. It was in Berlin that she received an official invitation to perform in Poland at the end of 2014. From Berlin she travelled on to Munich and Vienna, where she was invited by the Vienna Chamber Orchestra to participate in the Hans Gabor International Singing Competition. A few months later, she sang in concerts in Katowice in Upper Silesia, on the invitation of Conductor Grzegorz Mierzvinski. Lusine Arakelyan sang, accompanied by the Kopalnia Wegla Kamiennego Murcki Staszic Orchestra, 12 pieces, including songs by Komitas and Dolukhanyan. The concerts were a great success, and were the first solo concerts that the young soprano gave professionally, -- a big step in her young career.

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Lusine Arakelyan during her first professional solo concert in Katowice

In September 2015, Lusine Arakeylan attended Master Classes in opera singing (Canto Lirico) in Trevignano Romano, not far from Rome. Here she received coaching from the Italian soprano Stefania Bonfadelli and Maestro Simone Maria Marziali. From there she went to Barcelona, where she competed in the International Montserrat Caballé singing competition. The Mirak-Weissbach Foundation was happy to cover her plane fare from Yerevan to Rome, Barcellona and return.


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Lusine Arakelyan in Italy

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Lusine Arakelyan and Stefania Bonfadelli

When we visited Armenia again in 2016, Lusine Arakelyan invited us to visit her at the place where she earned her daily bread. Here we became acquainted with her as a music teacher. At the music school in the heart of Yerevan named after Aleksey Hekimyan, she had organized a concert especially for us with students, including many of her own. The director, several teachers and parents filled the hall which was, as always, decorated for the occasion; it was a great honor. We were deeply impressed and moved. It was clear to us that some of the students were on their way to becoming excellent musicians. After the concert, when we congratulated Lusine on her work and expressed our happiness that she had chosen such a wonderful occupation as a teacher, and such a successful one, she paused, then said, “But I am a singer, and what I want more than anything is to sing, sing, sing.” 

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At the entrance to the school where Lusine Arakelyan teaches,
a wind ensemble welcomes the Weissbachs with music.

As became clear later, Lusine’s teaching has borne fruits…. In June and July 2018, we were able to facilitate a concert tour for a group of her selected students to Vienna and Berlin. In Vienna, on the occasion of the 2800th anniversary of the founding of the capital Yerevan/Erebuni, a concert of classical Armenian and selected European repertoire was held. The concert took place in the St. Hripsime Armenian Apostolic Church. The ambitious program included vocal and instrumental works for soloists and ensembles in various languages. The young students, age 14 and younger, delighted the overwhelmingly Armenian audience. The second phase of their tour took them to Berlin, where the Association of European and Armenian Experts (AEAE), with the support of Abraam Kostanyan, the Yerevan Restaurant and singer Artak Kirakosyan, had organized a concert. Here, as in Vienna, the aim was to build cultural bridges between German and Armenian musicians of the younger generation and to offer the young musicians the opportunity to gain experience in artistic performance. With works from the Italian repertoire two youngsters stood out: Augustin Lara sang an aria from Verdi’s Rigoletto and Narek Sahakyan performed Granada. The ensemble pieces included Komitas’s Dance Songs of an Armenian Peasant, Alexej Hekimyan’s “Good-natured Stork,” and the duet by Franz Lehar “Lips are Silent.” Traditional Armenian instruments also were featured, among others, a Dance by Johannes Brahms and Armenian folk songs performed on the kanoon, At the conclusion of the Berlin concert, not only were there sanding ovations, but the audience joined in to sing the well-known folk song Erebuni-Yerevan, some with tears in their eyes. Singer and teacher Lusine Arakelyan had good reason tob e proud of her students and very satisfied with the concert tour.

In the following year 2019 we again had the privilege of attending a concert at the school. This time Lusine presented very promising young musicians, who were to go on a concert tour in Italy and take part in a competition in Rimini.

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Promising talents at Lusine Arakelyan̕s music school

In fact the young musicians from Yerevan set out for the internationalen Artists Days-Italy, which took place in Rimini from June 24 to 27th, and won a lot of prizes. Lusine Arakelyan was of course proud that all the students won, altogether, 4 first and 7 second prizes. She reported that the students had been able to delight the audiences with their musical maturity and joy. The audiences were also struck by the excellent pronunciation of Italian in the songs. At the end of the cocert, Lusine Arakelyan, herself not only a teahcer but an opera singer, performed a wonderful rendition of the aria “Il Bacio” (The Kiss) by Luigi Arditi. All the perfomers received hearty and lengthy applause. 

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Kristina Zakaryan, one of the numerous prizewinners from Yerevan

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Lusine Arakelyan and Muriel Mirak-Weissbach in front of the Yerevan opera

Lusine’s success as a teacher is considerable, but she still holds fast to her dream of a career on the opera and operetta stage. She has continued to take advantage of opportunities to present her artistic talents as well as to continue her singing education. In early 2017 she was invited on a concert tour through Poland, from Gdynia on the Baltic Sea, on to Lublin and Tarnow not far from Krakòw and Warsaw. On the invitation of Conductor Woytek Mrozek she was able to perform with well-known artists, among others, with the Warsaw opera tenor Leshek Swidinski, Agata Sava who is very popular in Poland, and the Ukrainian violinist Maryan Mario Lomaha. At the same time, she also had the opportunity to perform in concert with various orchestras from Poland and Ukraine, like the Philharmonic Symphony Orchestra from Lublin. Lusine Arakelyan stood out in Warsaw, where she impressed 1200 listeners in the concert hall with arias from Verdi’s La Traviata, Puccini’s Schicchi and Franz Lehar’s Zigeunerliebe und Giuditta. She was rewarded repeatedly with standing ovations. The music critic Kristina Sulzichka wrote about the “incredible Lusine Arakelyan, who, with her beautiful voice and her vast musical experience, will remain unforgettable!”
Lusine herself was somewhat overwhelmed by this experience. „The entire tour was like a dream. It was so wonderful to appear on the stage with great orchestras and so many different opera singers, she wrote us after her return. And she added: “Now I am going to work hard for the next steps….” She has long since begun to learn German. For her next step was to take her to the UDK, the Berlin University of the Arts.
The Berlin University of the Arts regularly offers intensive Master Classes for opera singers. In early 2017, Lusine had submitted recordings of her voice and was accepted for the summer session. As she wrote to us after her Berlin visit, she considered it a great honor to receive instruction from such an extraordinary personality as Cheryl Studer, a world renowned American dramatic opera soprano. Studer had made a name for herself especially with her interpretation of Richard Wagner and Richard Strauss. Lusine also worked with Gerd Uecker, Professor of Music and Opera Direction, who was artistic director of the Semperoper in Dresden from 2003 to 2010. With a very demanding schedule, from 9:00 a.m. to 9:00 p.m., Lusine and her colleagues improved their stage presence, gestures, relaxation techniques, correct pronunciation of German texts, and of course singing technique. A special experience and highpoint oft he course was the final concert, for which Lusine was asked to present several pieces.
The Mirak-Weissbach Foundation financed the tuition and travel expenses from Yerevan to Berlin. During her stay in Germany Lusine also appeared at an event in Bochum on November 11, 2017 and sang songs by Komitas and Mesrob Mashtots. The cultural event was entitled “The Armenians in Luther Year,” as it was the 500th anniversary of the beginning of the Reformaiton, the year Luther posted his 95 theses in Wittenberg. 

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The singers and teachers at the Berlin 2017 Master Class,
Lusine Arakelyan is first from right, kneeling.

Everywhere in Europe and worldwide, the Covid19 pandemic dealt a heavy blow to cultural activity. Not only young adults undergoing training, but also famous artists had to cancel concerts and tours. Many withdrew or performed only through the Internet. Lusine Arakelyan continued her work during this period and plans to produce a CD this year 2022, with her own interpretation of arias and songs. We are eagerly looking forward to it. The samples that she has already sent us are very promising.

Arpine Ginosyan


We met Arpine Ginosyan back in 2013, the first year of our activity in Armenia. Her mother was working at the Octet Music school in Gyumri, and Arpine was there when we took part in the official opening of the new school. She spoke excellent English, had already earned her Bachelor’s Degree in English Literature, and we were delighted to have such a competent interpreter at our side. In the following years, we could always depend on her assistance whenever we needed a translator in Yerevan or Gyumri. In 2017, she told us that she was enrolled at the Center for European Studies at the State University in Yerevan in a regional program for her Masters Degree in Human Rights and democratization in the Caucasus. She planned to continue her studies in the second semester (March to May 2017) at the Ivane Javakhishvili University in Tiblis, Georgia. She had already won a partial scholarship but still needed financial assistance for travel expenses, a flat and living expenses. We were ready to help out, so she was able to complete the second semester as well as an internship in the Georgian Ministry for European-Atlantic Integration. After having passed her exams with flying colors, she returned to Gyumri and prepared her Master’s thesis with her tutor. On July 7, 2017 she successfully defended her thesis, which was on the subject, “The Institutionalization of the Civil Society in Today’s Armenia: Characteristics and Developments since 2008.” On July 10, 2017 she received her Master’s Degree in European Studies. 

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Arpine Ginosyan and Muriel Mirak-Weissbach in Gyumri

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Matthew DeLong


“My name is Matthew DeLong, I am an Armenian-American masters student currently studying at the Humboldt University in Berlin and a current intern at the Mesrop-Zentrum at the Martin Luther University, Halle-Wittenberg, working under Prof Dr. Armenuhi Drost-Abgarjan. She told me about a DAAD-sponsored summerschool program in Armenia that is slated to take place in the end of August, where students are immersed in the language by staying with guest families and, during the day, classes are held for students to learn the Armenian language as well as learn more about the culture through literature, music, history, and even about the country's politics, the geopolitics concerning Armenia and the current economic situation.
As someone who is interested in exploring the Armenian diaspora for my masters thesis, this is an opportunity I am very interested in as it would help give me a great first-hand impression of the country of Armenia, its people and the culture and thereby lay a foundational basis for me before I begin my research. Personally, it would also give me a unique glimpse into my own heritage and provide the chance for me to reconnect with a culture and people I never had the luxury of having. In addition, it would give me a chance to connect with other students and young scholars for whom Armenia is also an area of interest....”
We received this letter from Matthew DeLong in July 2018. We of course were familiar with the DAAD, the Deutsche Akademischer Austauschdienst, which is the largest organization funding international students exchnages. And we took a close look at the summer academy program in Armenia that he mentioned. Since we knew Professor Dr. Armenuhi Drost-Abgarjan and were familiar with her academic work as Armenologist at the Mesrop Institute, it was not difficult to agree to help Matthew DeLong. Following his successful participation in the summer course in Armenia, he wrote up a report of his experience which demonstrated just how much he had profited from the program. Staying in an Armenian guest family, attending daily classes in Armenian, hearing lectures on the country and its history, going on excursions to visit the spectacular historical sights and being part of an international student community enriched his academic work as well as his personal development. At the end of his report, he wrote: “Armenia may never become a well-known travel destination outside of the Armenian diaspora. But for those acquainted with it, it will surely surprise, amaze and offer a rich and unforgettable experience.”
Matthew DeLong’s complete report is available here: http://www.mirak-weissbach.de/MW-Stiftung-English/nach-14-delong.html

Öncü Hrant Gültekin


In early 2017, Öncü Hrant Gültekin, an Armenian born and brought up in Istanbul, made contact with us. He had already done research on the Armenian heritage in Istanbul, and was looking into the question of what had become of the Armenians’ holdings, the Armenian schools, hospitals, churches and cemeteries, which had been confiscated after the genocide. He was able to ascertain that not everything had been destroyed. Since 2008, confiscated holdings (real estate belonging to Armenian individuals and institutions) had been returned piecemeal to the community. The number of such holdings was over 1000 objects. Gültekin dedicated special attention to the 32 Armenian cemeteries, in which edifices had been had been eradicated.
In 2011 Gültekin travelled to Germany and began to study journalistic photography and documentary photography. In 2016 he started to work for a Bachelor’s Degree. With the title, “The Distant Neighbor,” he wanted to document in photographs the fate of Armenians who had made their way from Turkey to Armenia. To do this, he planned to make two trips to Armenia in Spring 2017. The Mirak-Weissbach Foundation found the project interesting and valuable, and decided to provide support. As a result of his work, Gültekin produced an exhibition and a photographic essay, which tells the story of certain Armenian experiences. Alongside the photos, the accounts narrated by the individual interviews are striking and dramatic. They make clear that for many Armenians, the regions of Turkey that they left were their real homeland, and that Armenia could not replace it. The new homeland was perceived rather as an exile.
Here are two photographs from the album by Öncü Hrant Gültekin:

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Baboian

Alexander Baboian

Born in Boston into a 3rd/4th generation Armenian-American family, Alexander Baboian was raised in a musical environment and exposed to many sounds from an early age by his father and grandfather. He decided to pursue a career in music undertaking his undergraduate studies at Berklee College of Music in Boston where he majored in performance as a guitarist. Although he always had an eclectic interest in diverse styles and fields in the vast world of music, he spent his time at Berklee primarily focused on Jazz and developing as an instrumentalist. He graduated Magna Cum Laude, and received the Guitar Department Achievement Award twice. Interactions with classmates there from around the globe and opportunities to perform internationally during his time as a student inspired him to make a big move to Berlin, Germany after graduating in 2015. He worked there freelance teaching and performing in a variety of artistic projects and was fortunate to connect with members of the German Armenian community such as Archi Galentz, Nesin Howhannesijan, Stepan Gantralyan, and Muriel Mirak-Weissbach.
Several years living and working abroad raised deep questions about his identity and heritage at the same time that his sensibilities as an artist were maturing and developing in new directions, and together these forces motivated another big move in 2018 to Armenia where he began his graduate studies at Yerevan State Conservatory as a Composition student with Artur Avanesov. He felt honored to be invited to teach a course on Jazz improvisation and was happy to have the opportunity to share his knowledge of Jazz with bachelors students at the Conservatory in 2020. However this was an unexpectedly tumultuous year between the pandemic and the war in Armenia, and those factors as well as his deepening aspirations in the area of music technology motivated him to continue graduate studies in Europe. He is currently (Spring 2022) studying electronic music at the Royal Conservatoire in Antwerp, Belgium with Andrew Claes and Bert Cools. From there, he sent the following message of thanks:
“I consider myself blessed to have received the support of the Mirak-Weissbach Foundation for my graduate studies in Armenia and in Belgium. The foundation provided an economic lifeline that has been invaluable to me as an artist studying abroad because many of the ordinary avenues for financing studies in the US and Europe were not available to me as an international student, so my family and I have been very grateful for their support. I will graduate in the summer of 2023 and am optimistic about the new opportunities that I am preparing for and that will be waiting for me in the always-changing art and music industry. I am hoping to settle in Europe and continue to teach, compose, and perform internationally from a base here.”

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Komitas Monument in front of the Conservatory in Yerevan that bears his name

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Araks Arakelyan

When Araks Arakelyan first applied to the Mirak-Weissbach Foundation in 2019, she had already earned a Master's degree in Psychology and had been working for seven years with children, adolescents and their parents. She introduced herself also as a Founding Board Member and Representative Person of International Projects at GiHI Union of Psychologists and Armenologists. This non-governmental organization utilizes the Phenomenological approach of Carl Gustav Jung, the founder of Analytical Psychology. One of the main goals of the NGO is to ''Promote the development of Armenology and Jungian Analytical Psychology based on C.G. Jung's methodological principles in the Republic of Armenia.” She explained that unfortunately, this field is not sufficiently developed in Armenia, so there are not many opportunities for young specialists to acquire proper training and share professional experiences with highly qualified professionals and institutions.
She had just learned of an opportunity to attend a Winter Intensive Study Program in Analytical Psychology that was scheduled to take place at the C.G. Jung Institute Zurich in Küsnacht, Switzerland in February 2020. This program would provide her with the professional confidence to share her knowledge with her colleagues in Armenia, as well as to develop new connections with professors from abroad with the perspective of new partnerships and thus to contribute in development of this field. Due to the fact that salaries for people in her field are quite modest in Armenia, she was reaching out for financial assistance, to cover tuition as well as travel and living expenses.
The Mirak-Weissbach Foundation reviewed her C.V. and documentation regarding the course, and decided to help her gain advanced training in Jungian Analytical Psychology. Due to the Covid pandemic, the course was postponed twice, and indefinitely. Finally, she was able to enter a 3-year program organized by the IAAP (International Association of Analytical Psychology) and conducted online. On successful completion of this program, she will be qualified as a Jungian analyst.

Hannah Sophie Schmuck


The International Youth Community Service (ijgd), based in Bonn, is one of the oldest volunteer organizations in Germany (founded 1949). It organizes international youth exchanges and volunteer works domestically and abroad, also in Armenia. Although the organization receives support from the Family and Youth Ministry, long-term service is financed through the efforts of the participating youth themselves, who have to organize a support group of 5 contributors and supporters. Hannah Sophie Schmuck from Hamburg wrote to us in summer 2017 and asked if our foundation could become part of her supporter group and make a donation that would enable her to spend a volunteer year in Armenia. She added that she was about to complete her secondary education and planned to go on to study Social Pedagogy. And since she was very much interested in other cultures, she thought she would like to spend a volunteer year abroad. She had already looked at one option in Armenia, namely the “Glimmer of Hope” project in Yerevan. This is an initiative providing housing and training for the visually impaired children and youth, and generally those with various handicaps from needy families. She would live there together with other volunteers from various countries. Certainly such a volunteer year would offer her valuable experience for the kind of occupation she hoped to have in the future.

The Mirak-Weissbach Foundation responded very positively to her application and helped make it possible for her to begin her volunteer social year in Yerevan in September 2017.